Check out ComicVerse’s review of THE RESURRECTED!

First ever review of THE RESURRECTED is in! And all I can say is WOW, WOW AND WOW!

“THE RESURRECTED #1 is both challenging and entertaining. Carnouche and Zamora make an excellent team for this debut comic. The comic does not shy away from issues like oppression, racism, and death. However, it is not all doom and gloom. The cop-show mystery keeps the pace moving. Cain makes a compelling and complex hero! I am eager to see what the future installments have to offer.” 

Check out the full review below:

THE RESURRECTED #1: Revitalizing The Zombie Apocalypse

HUGE thank you ComicsVerse for such a wonderful review! Not only was it extremely positive but also insightful and intelligent. I feel like they really understood what the comic was about. I am a big fan of ComicsVerse so this is particularly satisfying.

Thank you Molly for the effort and research that went into the review and for the support you have shown our team 🙂

Well done to the TR team Crizam , Salvatore Aiala, Cardinal Rae , Erica Schultz & Christian Carnouche .

Join our mailing list for a free eight page preview of The Resurrected #1!

This week I will send out the first eight page preview for the first issue. Join our mailing list if you’d like a copy of the preview:

https://t.co/xH9FJjoKsJ

If you’re not into comics but just want to support me because I’m so awesome and drop-dead gorgeous, I’d love for you guys to like our FB page:

Carnouche Productions – Comics

The logline of the story is:

“In a future where death is not always the end, a lonely yet resolute Aboriginal-Australian detective challenges the world’s most powerful corporation in a battle to save his people from almost certain extinction. If he is to succeed, he must re-discover his Indigenous roots while also finally learning to overcome the loss of his family who died in the techno-plague that ravished Australia five years earlier.”

The Resurrected comic touches on several philosophical themes that I feel particularly engaged with, including those linked to death and mortality, identity and the nature of freedom and responsibility. It also delves into social-political issues, most significantly the ongoing destructive effects that the centuries old invasion of Australia has had on the Indigenous population.

I’ve been lucky enough to have some of my Indigenous friends review my plot and script and some of the art.

I’m working alongside an extremely talented and experienced team, who have all worked for well-known comic book publishers – Crizam is the artist, Salvatore Aiala the colourist and Erica Schultz is the editor. We’ve just hooked a big name for the variant over but we’ll keep that a secret for the timebeing.

The first issue is complete and will be out in a few months. We will be self-publishing it and running a Kickstarter in mid-Feb as a way of streamlining pre-orders and pre-selling some merchandise. There will be PDF copies of issue one available in April and the print copy should be available in June. We’re already deep into issue two so that should arrive hot on the heels of the first issue.

Here are a few sneak peak panels to give you an idea of the art.

Thanks to all of my wonderful family and friends who have already been so supportive!

Thanks!
Christian

Another preview panel from The Resurrected comic

Here’s another beautiful preview panel from The Resurrected comic book series; this time of the protagonist Cain Duluth experiencing a contemplative moment in Nova Lucis.

Art by Crizam & Salvatore Aiala . Written by Christian Carnouche. Letters by Cardinal Rae. Edited by Erica Schultz.

Updates coming soon about our publication plans.

What does a comic book writer do?

What exactly does a comic book writer do? I’ve been asked this question a bunch of times so I thought I would share a really brief example of the script that I wrote for Issue One of the The Resurrected. The sample attached is Page One, which is relatively quite a short page.

Every comic book writer is different, some provide the artist merely with some basic details and let them design the majority of the panel but others use their script to suggest panel size and shape, shot angles, colours etc etc. As you can see from my script sample, I’m probably somewhere in between. There’s no right or wrong way to go about it.

As a writer, we should also be describing what action is happening in the panel, what the characters are doing, saying and feeling, and what the environment is like.

The writer’s job also includes mapping the plot, character arcs and themes. Our entire series is already mapped out, with the help of my amazing editor Erica Schultz.

Page One was quite a difficult page both to write and draw, considering that we had to be historically accurate. We undertook loads of research and also ran the script and panel designs past Indigenous friends to make sure we weren’t misrepresenting their culture. I’ve already written an article about this process so I won’t go into it further:

http://carnoucheproductions.com/index.php/2017/04/26/comic-book-writing-experience-2-a-white-australian-creating-indigenous-characters/

Hope this helps you guys understand the writer’s role a little bit better.

Art by Crizam & Salvatore Aiala Studio. Written by Christian Carnouche. Letters by Cardinal Rae. Edited by Erica Schultz.

Art finally complete for ‘The Resurrected’ Issue #1!

The art is finally finished for the first issue of The Resurrected comic so we’re celebrating with the first ever public release of a completed page – Page 1 (albeit low res for now). Not only that, but our artist Crizam ZAMORA has shared the entire art process for this page, from the pencils/ink through to the colours/letters,

Line work by Crizam, Colours by Sal Aiala, Letters by Cardinal Rae & Plot/Script by Christian Carnouche.

From pencils to colours: The Resurrected artistic process

We finally have the chance to reveal some art process shots for our comic book series ‘The Resurrected,‘ pencilled and inked by artist Crizam Zamora, coloured by Salvatore Aiala and written by myself, Christian Carnouche.

Check out our logline if you want to know what the series is all about:

Logline

We’ve isolated one panel to illustrate the process from the very first pencil outlines (which are quite detailed compared to what a lot of other artists provide for their outlines), to the inking – where these outlines are fleshed out, and finally to the colours. This panel won’t be complete until the dialogue/narration bubbles are added by our letterer.

It is quite common in comics that changes are made during the artistic process, as you can see with this panel. In the pencilled page, the imprisoned Indigenous are standing in front of some trees, while – for the sake of clarifying the story’s chronology, we decided to replace this background in the inked page with a prison.

I know I’m a little biased but I’m absolutely stoked with the magic Criz and Sal have weaved into this panel, and the rest of the story for that matter.

 

Introducing Salvatore Aiala: the colourist for ‘The Resurrected’

I’m very excited to finally introduce Salvatore Aiala, the colourist for The Resurrected comic book series.

Salvatore is a regular artist for Dynamite and has worked on popular titles like Z Nation (adapted from the hit television show), James Bond: Felix Leiter, Swords of Sorrow: Black Sparrow & Lady Zorro Special. Check out Salvatore’s Comic Book Database profile if you’d like to see the rest of his titles:

Salvatore – Comic Book DB

And here’s more of Salvatore’s work on Deviantart:

Salvatore Deviantart

The Resurrected is actually reuniting Salvatore with our penciller/inker Crizam Zamora, who both worked on the hit comic Swords of Sorrow: Black Sparrow & Lady Zorro Special.

If you’ve missed our previous posts, here are a couple examples of Salvatore’s and Crizam’s work for our current series:

First ever coloured panels sneak peek for The Resurrected!

We’ll be posting more art previews soon!

Introducing Crizam Zamora: the artist for ‘The Resurrected’

So who is the mysterious artist behind The Resurrected’s beautiful artwork? His name is Cristhian ‘Crizam’ Zamora, a Uruguayan living in Portugal. Not only is he the ‘penciller’ of our series but he is also the ‘inker’ (another artist will colour his finished pages).

Crizam is an extremely talented artist and has already gained a wealth of experience in the comic book realm. He has worked for such well-known comic book publishers as Dynamite and Zenescope and on titles like ‘Vampirella, Swords of Sorrow: Black Sparrow & Lady Zorro Special, E.V.I.L. Heroes, The Precinct  and Grimm Tales of Terror. Check out Crizam’s Comic Book Database profile if you’d like to check out the rest of his titles:

Crizam – Comic Book DB

As a first time writer, it is was always going to be difficult for me to find artists to colloborate with, so I’m honoured to work alongside such an experienced talent. I was lucky enough to have had my script and story editor introduce me to Crizam (who in turn hooked me up with our colourist).

If you’ve missed our previous posts, here are some examples of some of Crizam’s pencils for The Resurrected:

And here is Crizam’s art blog, where you’ll find loads of examples of his previous art:

Crizam Tumbler

Hope you guys enjoy Crizam’s work. Soon we will introduce the colourist.